Mastering Color Management with Dragonframe 3 and DaVinci Resolve

When working with stop-motion animation software like Dragonframe 3, it's essential to consider color management settings to ensure a seamless workflow between your project stages. In this article, we'll explore the challenges of managing color grading in HDR (High Dynamic Range) with Dragonframe 3 and DaVinci Resolve.

The primary issue arises when creating a 'convert resolve project' in Dragonframe 3. The software requires color grading compliant with HDR in the initial step, which can be problematic for those who are new to color management. To achieve this, you'll need to understand how to manage Resolve Project color settings effectively.

Color Science and Management

DaVinci YRGB Color Managed is a crucial aspect of color science when working with Dragonframe 3. This color space allows you to work in both SDR (Standard Dynamic Range) and HDR formats, making it an excellent choice for projects that require both deliverables. To utilize this feature, you'll need to set up your Resolve Project accordingly.

CR2 to ProRes Initial Exports

When exporting from Dragonframe 3 to DaVinci Resolve, you have the option to use CR2 (Canon Raw) files or convert them to ProRes. If you choose to export in ProRes, you can then color grade and deliver in HDR if needed. However, this process requires careful consideration of your 'cr2 convert' resolve project settings.

Workflow Options

To manage your workflow effectively, consider the following steps:

1. Start with a basic SDR project for SDR delivery.

2. Duplicate the project and change the color management to HDR for HDR deliverables.

3. Apply specific color grading and deliver a new HDR master.

Alternatively, you can import Fusion chromakeyed exported ProRes footage into a new Resolve timeline, edit layers, and deliver the final movie there.

Importing CR2 Image Sequences

When importing CR2 image sequences to 6720 × 4480 ProRes 4444XQ in DaVinci Resolve, ensure you understand how to manage color grading settings for both SDR and HDR formats. This will help you maintain consistency throughout your project.

* DaVinci YRGB Color Managed is an essential feature for working with Dragonframe 3.

* To achieve HDR compliance, start with a basic SDR project and then duplicate it for HDR deliverables.

* Consider importing ProRes footage into a new Resolve timeline for color grading and final delivery.

By following these guidelines, you'll be well on your way to mastering color management with Dragonframe 3 and DaVinci Resolve. Whether you're preparing a stop-motion feature for theaters or streaming platforms, understanding the importance of color science will ensure your project looks stunning in both SDR and HDR formats.